
[Pictured above: SEXED UP: Britney Spears is in talks to star in controversial 'sadomasochistic sex movie' The Knoxville Carjacking Party.]
Are our most popular tabloid stars trying to help make a connection between their modern grotesqueness and the grotesqueness of Medieval Saints?
It would appear that way, if you are paying attention to Britney, Madonna or Bowie, to name a few.
In our discussions here, we have been toying with fantastic ideas of beatifying our tabloid celebrities, namely, Britney herself.
Britney Spears VMA 2007 "Gimme More" UNCENSORED VERSION
This hyperbole is staged to stretch our thinking about these banal flashes of tabloid fluff, in the same way that Peter Brown tried to stretch the thinking of religious scholars in his book, 'The Cult of the Saints'.
I suppose what I am positing is that, prior to Brown's lecture, some American scholars might have written off the popular worship of saints as a sort of low-brow superstition.
In the same way, I am asking if we are too quick to write off the influence and meaning of popular obsessions, today.
This is where Britney comes in.
We are thinking about Britney, following the footsteps of her mentor Madonna, is considering doing an S&M film, to remove any doubt that her 'divine body' is being mutilated for our faithful consumption:
Click here to read the article called Britney may star in 'sadomasochistic sex movie'
I would direct you to Brown's first chapter where he makes an important differentiation between the earlier pagan 'Cult of Heroes', as compared to the later (up to the late antique) 'Christian Cult of the Martyrs'.
[Pictured above: Madonna leaves little to the imagination, as she imposes her Dominatrix of Pop imprint upon our associations between Roman Catholic icons and Sadomasochism.]
Brown's thesis in summary here is that the Heroic were never asked to function as the Martyrs or Saints, i.e., as a meeting place between Heaven and Earth.
Here's where we have to ask if the modern popular equivalent of Heaven and Earth requires functionaries of the same sort, and if the 'Cult of Celebrities' can serve any of these cosmological and eschatological functions.
We do, after all, call our modern cinematic and music heroes 'stars' do we not?
Does this imply that the rest of us are Earth Bound non-luminary units, relegated to a life of voyeuristic observations of our famous and famous-for-being-famous fixations?
This is where I would begin to position Britney, stretched sensuously out on our table for examination, while she twitches and coughs and performs her human/non-human act for our grateful consumption.
I hope Professor Brown will forgive our license with his scholarship, but it seems he would have encouraged this type of free-wheeling form of decyphering of the common and the overlooked.
And before I go to far, I just couldn't overlook this image of David Bowie posed to recall the Vatican's Pieta of Mary and dying son Jesus, or am I reading too much into this?

[Pictured above: Pietà by Michelangelo]
. . . compared to Bowie in this:

[Pictured above: May 26, 2006—This weekend, Steven Klein, the photographer behind last year's massive Brangelina spread in W, unveils Fashion Portraits at East Hampton's Vered Gallery. The exhibit features 19 dramatically staged images taken between 1995 and 2004, including shots of Madonna (before she traded in her stripper pole for a crucifix), "JT Leroy," and David Bowie, above.]
Read the entire interview with photographer Steven Klein here.
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